Windrush Art Kid Oligarch

Above and behind a window opens and a cigarette hangs out.

i see a website

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

i see a website though something that reconfigures or is mazelike

Picture

FOUNDING DOCUMENT

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

but really the thing should be autonomous

After thinking and forgetting and thinking and forgetting

Garden Post-Dusk, Birds Above, In Another Life

god "possessing" artists "possessing" people

there's probably something in that, but I don't feel like thinking about it too much yet.

i am quite illiterate on producing technology

ahnaf abrar

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

barren land

think this is much more rhizomatic or immanent or mazelike than mainstream education now