I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

"No, it'll get cold!"
"Put a tut ahh put a-"
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

there's probably something in that, but I don't feel like thinking about it too much yet.

Better Lift

Wed, 11 Nov 2025 21:12:41

but i respect your search

I wonder if the birds knew I was watching?

Rain, starting

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

The bird dives back into the tree. It shakes, some leaves fall.

Above and behind a window opens and a cigarette hangs out.

much more tactility

you cannot feed someone language, they have to speak

this is possible in mazelike research sprints on the internet

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

idk

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse