or never left

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

Sun, 23 Nov 2025 10:37:17

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

Tue, 02 Dec 2025 11:29:50

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

have you read

much more tactility

so at the end

that looks like my instagram account

yeah people dont get it they assume its ahnaf

...

Imprint, memory, impact, representation, impression


not their contents

its good


amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting

in a way what we are really interested in with pedagogy is the magnetisation

isaac

Sun, 02 Nov 2025 21:54:03

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

i know a little bit of lacan which probably influences me in a way i cant articulate

Garden Post-Dusk, Birds Above, In Another Life

isaac newton

we want to live the knowledge too live the content

Better Lift

Better Lift


It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.