okay im going very rogue and very inarticulate
Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after
dusk
, I have nothing to do, I'm watching them, trying to figure it out.Thu, 06 Nov 2025 23:18:46
no longer writing in the third person
The bird dives back into the tree. It shakes, some leaves fall.
a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it
i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse
i see a website though something that reconfigures or is mazelike
plato
i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything
something religious, a kind of complex,
it will get lighter
, something washing, cleansing, revealing, etc.in a way what we are really interested in with pedagogy is the magnetisation
this is possible in mazelike research sprints on the internet
think this is much more rhizomatic or immanent or mazelike than mainstream education now
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
send your tumblr
so an active mazelike process
there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.
as in
i see a website
so at the end
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i know a little bit of lacan which probably influences me in a way i cant articulate