i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

its good

my watchlater reached its limit years ago and now i have to create a playlist for each new topic im interested in but it is incredibly hard to create the taxonomy of knowledge because everything seems to be everything else because at the end it is what you get from it that matters not what is given

in a way what we are really interested in with pedagogy is the magnetisation

idk

...

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hello reader,


you know who you are. no more time, not like

1

. way too specific.

I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.


think this is much more rhizomatic or immanent or mazelike than mainstream education now

so at the end

⚠️ Live Document Forever ⚠️

okay this is interesting because pedagogies we have rn are not proper models

Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:

not their contents

much more tactility

propensity within someone

as in

this is possible in mazelike research sprints on the internet

We look out over the river to a block of luxury flats built on the site of some old docks. It would be nice to live right there. Yes.

They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything

there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.

2 (actually index). two is company

He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.


Windrush Art Kid Oligarch