Mon, 03 Nov 2025 08:38:49
currently
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
"No, it'll get cold!"
"Put a tut ahh put a-"
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
Above and behind a window opens and a cigarette hangs out.
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
it is hopeful
i see a website
Windrush Art Kid Oligarch
Better Lift
have you read
i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything
god being the centre magnet
yeah
bro i read nothing in my life
Sun, 02 Nov 2025 23:49:08
we can only engage in such a way
so the method has to be autonomous