its good
Tue, 02 Dec 2025 11:29:50
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it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
okay this is interesting because pedagogies we have rn are not proper models
we want to live the knowledge too live the content
you cannot feed someone language, they have to speak
in a post. I want to be remembered
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
Sun, 23 Nov 2025 10:37:17
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
propensity within someone
there's probably something in that, but I don't feel like thinking about it too much yet.
I am below everything.
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
i am quite illiterate on producing technology
you have a beautiful account btw
Her English is poor but she manages a brief introduction before getting to the point. She asks if she can touch his face. She's already reaching out and gesturing at it. Koreans are way too polite, he's just laughing awkwardly. I put my hand kind of between them and wave it to try and indicate no to her. I'm still in fucking mime mode. I say no, but it's not really to her, or to him, just no, in general. This is all too weird. Dejected, she departs with a comment about having never seen someone like him before.