I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

so an active mazelike process

"Put a blanket."

i see a website though something that reconfigures or is mazelike

Imprint, memory, impact, representation, impression

One of the birds shoots out of the tree.

Sun, 23 Nov 2025 10:37:17

It Will Get Lighter

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

"I'm only attracted to you", he replies. "Like, you only."

i hope ai fixes this with the cessation of interfaces and walls

we want to live the knowledge too live the content

He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.

The bird dives back into the tree. It shakes, some leaves fall.

in a way what we are really interested in with pedagogy is the magnetisation