something for the future. something to look at when this is more. I've been thinking about... whatever
dusk
in a snowy forest and I'm playing with a fox.it is hopeful
Better Lift
it holds me to something (you, now). I love editing!
We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.
...
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.