way too random but already engaging. i want to explore it

yeah people dont get it they assume its ahnaf

i really havent

It Will Get Lighter

wait what is that

ahnaf abrar

ahnaf is it worth reading all those books



He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.

The studio designs some piece of media to perpetuate the marketable concept of Real London, while the real London is hollowed out by hollow bankers or whatever. Not pulling on that thread. But the yuppies don't mind because they're free to iterate on Real London without any competition from real London because it's too concerned with its slow eradication. And there's nice flats to live in now or whatever. The yuppies can begin to inhabit their Real London.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

okay this is interesting because pedagogies we have rn are not proper models

Another Frenchman pushes through the crowd to join him. He's an events organiser who I'd met earlier, and he's holding a large box wrapped in a bin bag. They're the fireworks he'd smuggled in from France the night before. They're Industrial Grade, whatever that means for fireworks.

confused - is it the tide or its absense? I still like where I was going with it. anyway, real reader know this site is the note.
we can only engage in such a way

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

and the fake qualifier

not their contents

Thank you, Jack

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

no like which do people call me