i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

I am below everything.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

much more tactility

Thu, 06 Nov 2025 23:18:46

13, H, grate

wow, you are the first stranger to write a textwall to me

you cannot feed someone language, they have to speak

we can only engage in such a way

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

Can I see

yeah

you cannot feed someone truth

whats your name?

i understand

propensity within someone

magnetisation basically means the induction of divine form unto you