i don't really want to be associated with that one for some reason
its performative
you cannot feed someone truth
i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything
we can only engage in such a way
okay this is interesting because pedagogies we have rn are not proper models
propensity within someone
autonomy of learning
i love it here
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
i really havent
nope. i only remember the leaves bristling behind the window during chemistry class
And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.
He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.
⚠️ Live Document Forever ⚠️
you know who you are. no more time, not like
1
. way too specific....
what do you mean
i dont understand magnetisation
amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting
...
the site i am dreaming
or never left
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
We look out over the river to a block of luxury flats built on the site of some old docks. It would be nice to live right there. Yes.
in a post. I want to be remembered