Today I felt like starting
something for the future. something to look at when this is more. I've been thinking about... whatever
Windrush Art Kid Oligarch
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
okay im going very rogue and very inarticulate
so at the end
as in
I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.
okay this is interesting because pedagogies we have rn are not proper models
i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying
think this is much more rhizomatic or immanent or mazelike than mainstream education now
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
somewhere between instagram and chatgpt
Thu, 04 Dec 2025 11:31:03
Thank you, Jack
i really havent
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