so at the end
Maybe, Jack, I'm doing this because I'm English?
its good
no i haven't really read anything
We stand there laughing. The fireworks go off behind him.
I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.
as in
all that is to say
what do you mean
Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
you cannot feed someone truth
god "possessing" artists "possessing" people
its performative
this is possible in mazelike research sprints on the internet
okay this is interesting because pedagogies we have rn are not proper models
ion
He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.
in a way what we are really interested in with pedagogy is the magnetisation
One of the birds shoots out of the tree.
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
I am below everything.
Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.
propensity within someone