the textwall is as much for me as it is for you

this is possible in mazelike research sprints on the internet

autonomy of learning

magnetisation/form

propensity within someone

Windrush Art Kid Oligarch

Mon, 03 Nov 2025 08:27:13

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

Picture

Sun, 02 Nov 2025 23:49:08

i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse

Sun, 02 Nov 2025 21:54:03

Mon, 03 Nov 2025 08:38:49

there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

think this is much more rhizomatic or immanent or mazelike than mainstream education now

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

we want to live the knowledge too live the content

2 (actually index). two is company

amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting

He was cast as the guy who gets picked up and thrown out of the poker game to set the scene before the main characters arrive. Out of Real London and into real London, a discarded prop, at this party, chatting to me.

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