We look out over the river to a block of luxury flats built on the site of some old docks. It would be nice to live right there. Yes.

And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.


Maybe, Jack, I'm doing this because I'm English?

But seriously, thank you, Jack

the textwall is as much for me as it is for you

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

Above and behind a window opens and a cigarette hangs out.
"No, it'll get cold!"
"Put a tut ahh put a-"
"Put a blanket."

"I'm only attracted to you", he replies. "Like, you only."

hiding from the rain


Lift Analysis

One of the birds shoots out of the tree.

with this post net clarity and the hours of nothing that followed I realise this is going to be awful.


a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext