We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.

but really the thing should be autonomous

i see a website though something that reconfigures or is mazelike

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

somewhere between instagram and chatgpt

so i or you can author smaller fragments that get arranged

ion

barren land

and the fake qualifier

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

Lift Analysis

like people can read 100 books and still not have the fire within them

much more tactility

we want to live the knowledge too live the content

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

abrar?

and the fake qualifier

there's probably something in that, but I don't feel like thinking about it too much yet.

i guess imagine a multimedia obsidian or notion that behaves according to some insane arcane rules that you can't ever really determine

in a way what we are really interested in with pedagogy is the magnetisation

yeah