Windrush Art Kid Oligarch

with this post net clarity and the hours of nothing that followed I realise this is going to be awful.

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

i love it here

have you read

its good

ion

no i haven't really read anything

whats your name?

yeah

i don't really want to be associated with that one for some reason

bro i read nothing in my life

this is possible in mazelike research sprints on the internet

propensity within someone

magnetisation/form

like first name

not their contents

is this you as well

okay this is interesting because pedagogies we have rn are not proper models

like people can read 100 books and still not have the fire within them

i did until you asked which kind of gave it away

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

hiding from the rain

in a way what we are really interested in with pedagogy is the magnetisation

Rain, starting

Worse Lift

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

no like which do people call me

you cannot feed someone language, they have to speak

magnetises a pin

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.


Picture

no longer writing in the third person