She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

IWGD

"No, it'll get cold!"
"Put a tut ahh put a-"

no longer writing in the third person

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

so at the end

Mon, 03 Nov 2025 08:38:49

you cannot feed someone truth

Imprint, memory, impact, representation, impression

isaac newton

much more tactility

this is possible in mazelike research sprints on the internet

you cannot feed someone language, they have to speak

It Will Get Lighter

like people can read 100 books and still not have the fire within them

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things

so the method has to be autonomous

its performative