Above and behind a window opens and a cigarette hangs out.
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
no longer writing in the third person
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
Thu, 06 Nov 2025 23:18:46
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
I am below everything.
One of the birds shoots out of the tree.
"I'm only attracted to you", he replies. "Like, you only."
much more tactility
this is possible in mazelike research sprints on the internet
i love it here
so the method has to be autonomous