the textwall is as much for me as it is for you

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

confused - is it the tide or its absense? I still like where I was going with it. anyway, real reader know this site is the note.

The studio designs some piece of media to perpetuate the marketable concept of Real London, while the real London is hollowed out by hollow bankers or whatever. Not pulling on that thread. But the yuppies don't mind because they're free to iterate on Real London without any competition from real London because it's too concerned with its slow eradication. And there's nice flats to live in now or whatever. The yuppies can begin to inhabit their Real London.

in a post. I want to be remembered

Thank you, Jack

not so on: yvf(wthw)

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |

Above and behind a window opens and a cigarette hangs out.

Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

I'm sat out the front of a cafe in Hatton Garden. I've just eaten a brie and bacon panini, and I'm rolling a cigarette. Feeling very London. An old man comes up to me and asks for a roll-up. I oblige.


you know who you are. no more time, not like

1

. way too specific.


Pimlico Rats

Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:

Rain, starting

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

The bird dives back into the tree. It shakes, some leaves fall.