part of an old note. It will get lighter.

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.


you know who you are. no more time, not like

1

. way too specific.

I Write Goodbye Letter

2 (actually index). two is company

⚠️ Live Document Forever ⚠️

isaac newton


Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:

magnetises a pin

The studio designs some piece of media to perpetuate the marketable concept of Real London, while the real London is hollowed out by hollow bankers or whatever. Not pulling on that thread. But the yuppies don't mind because they're free to iterate on Real London without any competition from real London because it's too concerned with its slow eradication. And there's nice flats to live in now or whatever. The yuppies can begin to inhabit their Real London.

was it worth it

i dont understand magnetisation

thank you

god "possessing" artists "possessing" people

Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

i really havent

i guess imagine a multimedia obsidian or notion that behaves according to some insane arcane rules that you can't ever really determine


like first name

...

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

i know a little bit of lacan which probably influences me in a way i cant articulate

The slug lives in my bathroom. I only see it in the early hours of the morning, when I'm not quite right.

Thu, 06 Nov 2025 21:22:59