to work in time to get to the timeless, perfection thru chaos

i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

i see a website

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

kind of mythopoesis


13, H, grate

there's probably something in that, but I don't feel like thinking about it too much yet.

a heavy, heavy rain. a clear day.

I created this site

.

Imprint, memory, impact, representation, impression

        13       |
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            H   |
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. . . .         |
. . . .         |
. . . .         |
. . . .         |
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theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

Better Lift

so i or you can author smaller fragments that get arranged

Lift Analysis

i see a website though something that reconfigures or is mazelike

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

something for the future. something to look at when this is more. I've been thinking about... whatever

"No, it'll get cold!"
"Put a tut ahh put a-"

yes

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

One of the birds shoots out of the tree.


Thank you, Jack

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."