yeah
with this post net clarity and the hours of nothing that followed I realise this is going to be awful.
After thinking and forgetting and thinking and forgetting
i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
not so on: yvf(wthw)
And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
Maybe, Jack, I'm doing this because I'm English?
way too random but already engaging. i want to explore it