And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

"No, it'll get cold!"
"Put a tut ahh put a-"

i am quite confused, not quite getting the idea of it

"I'm only attracted to you", he replies. "Like, you only."

Above and behind a window opens and a cigarette hangs out.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

something for the future. something to look at when this is more. I've been thinking about... whatever

the textwall is as much for me as it is for you

brb i will read and reply sincerely

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

Imprint, memory, impact, representation, impression

yeah people dont get it they assume its ahnaf

Garden Post-Dusk, Birds Above, In Another Life

ion