She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
"No, it'll get cold!"
"Put a tut ahh put a-"
Above and behind a window opens and a cigarette hangs out.
Today I felt like starting
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
you have a beautiful account btw
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.
Lift Analysis
Can I see
the textwall is as much for me as it is for you
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
it holds me to something (you, now). I love editing!