I imagine that some lab-grown 29-year-old from Woking with a mind honed to identify individuals who fit the profile of Real Londoner (as conceived of by 50 opinion-polled racist builders and their wives in the Midlands) picks a stubborn local who can still somehow afford to live here and passes him along to some creative studio.

"I'm only attracted to you", he replies. "Like, you only."

as in

propensity within someone

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

The bird dives back into the tree. It shakes, some leaves fall.

i see a website though something that reconfigures or is mazelike

Above and behind a window opens and a cigarette hangs out.

the textwall is as much for me as it is for you

i am quite confused, not quite getting the idea of it

in a way what we are really interested in with pedagogy is the magnetisation

magnetisation/form

to work in time to get to the timeless, perfection thru chaos


One of the birds shoots out of the tree.


a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it

Tue, 02 Dec 2025 11:29:50

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

okay im going very rogue and very inarticulate

Garden Post-Dusk, Birds Above, In Another Life