As we're stood there I notice a middle-aged woman staring at us across the room. I'm trying to catch her gaze, but its kind of vacant. I guess she sees me looking and considers it to be an invitation. She floats over to us in this strange dazed way, and on the approach I realise she's staring at (through?) my Korean colleague / fresh meat. She's saying wow, wow, wow. She seems genuinely so delighted, so shocked, so elated.
in a way what we are really interested in with pedagogy is the magnetisation
that looks like my instagram account
the point of this was to try and avoid this narcissistic death spiral I'm in by acting anonymously and impulsively. how can that feeling that even Jack can't describe paralyse me if my name isn't next to any of this? the excitement of believing I just need a new process has overcome me and I have cummed out an empty webpage.
autonomy of learning
idk
ahnaf is it worth reading all those books
Windrush Art Kid Oligarch
i sat down to eat my peasant dinner but i thought it was a song you sent so i didn’t watch it then
magnetises a pin
was it worth it
He was a proper old-fashioned London geezer (cringe word, hate it, can't think of a better one, worst of all it's the correct word), kind of East Endy, kind of Real London, the kind you don't really meet but if you do it always feels like an uncanny immersive theatre experience. They're anachronistic. They only belong in the London collectively imagined by people who don't spend any time in it.
One of the birds shoots out of the tree.
and the fake qualifier
The bird dives back into the tree. It shakes, some leaves fall.
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."