The only real Londoner remaining is old, bitter, kept around for entertainment, defined by tropes from 30+ years ago. They play gangsters in films, or they work in a pie and mash shop, or they go on Business Insider's YouTube channel to tell you about their crimes. And they somehow still find the time to spend all day hanging about cafes and pubs for you to bump into, to remind you of Real London.
Above and behind a window opens and a cigarette hangs out.
wow, you are the first stranger to write a textwall to me
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
hiding from the rain
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
i see a website
After thinking and forgetting and thinking and forgetting
"Put a blanket."
yes
One of the birds shoots out of the tree.
okay this is interesting because pedagogies we have rn are not proper models
Windrush Art Kid Oligarch
Thank you, Jack
Today I felt like starting
all that is to say
the textwall is as much for me as it is for you
like people can read 100 books and still not have the fire within them
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext