Thu, 06 Nov 2025 23:18:46

i understand

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

I am below everything.

there's probably something in that, but I don't feel like thinking about it too much yet.

Imprint, memory, impact, representation, impression

        13       |
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            H   |
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. . . .         |
. . . .         |
. . . .         |
. . . .         |
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13, H, grate

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

i see a website

so i or you can author smaller fragments that get arranged

Sun, 02 Nov 2025 21:54:03

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

Today I felt like starting

One of the birds shoots out of the tree.

so at the end

god being the centre magnet