...

the point of this was to try and avoid this narcissistic death spiral I'm in by acting anonymously and impulsively. how can that feeling that even Jack can't describe paralyse me if my name isn't next to any of this? the excitement of believing I just need a new process has overcome me and I have cummed out an empty webpage.

i am quite illiterate on producing technology

but i respect your search

not their contents

the textwall is as much for me as it is for you

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

you have a beautiful account btw

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

I wonder if the birds knew I was watching?

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

this is possible in mazelike research sprints on the internet

i am quite confused, not quite getting the idea of it

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

Style

Lift Analysis

Thu, 06 Nov 2025 21:22:59

Garden Post-Dusk, Birds Above, In Another Life

ion