i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

hiding from the rain

Thank you, Jack

no longer writing in the third person

Windrush Art Kid Oligarch

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it

I know that if I try to make this entry any more than it is I will ruin it.

Picture

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

no like which do people call me

that looks like my instagram account

autonomy of learning

you cannot feed someone truth

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying