She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
like magnets
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
It's
dusk
in a snowy forest and I'm playing with a fox.i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything
yeah
we can only engage in such a way
so the method has to be autonomous
as in
what do you think my name is
a heavy, heavy rain. a clear day.
I created this site
.not their contents
whats your name?
okay this is interesting because pedagogies we have rn are not proper models
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