have you read
my watchlater reached its limit years ago and now i have to create a playlist for each new topic im interested in but it is incredibly hard to create the taxonomy of knowledge because everything seems to be everything else because at the end it is what you get from it that matters not what is given
magnetises a pin
thank you
i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying
its good
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
but really the thing should be autonomous
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
ion
mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation
i see a website
i see a website though something that reconfigures or is mazelike
to work in time to get to the timeless, perfection thru chaos
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
kind of mythopoesis
this is possible in mazelike research sprints on the internet
plato
we want to live the knowledge too live the content
i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse
you have a beautiful account btw
barren land
there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.
no longer writing in the third person