theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

Garden Post-Dusk, Birds Above, In Another Life

Above and behind a window opens and a cigarette hangs out.

Rain, starting

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

the textwall is as much for me as it is for you

somewhere between instagram and chatgpt

a heavy, heavy rain. a clear day.

I created this site

.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

FOUNDING DOCUMENT

but really the thing should be autonomous


Imprint, memory, impact, representation, impression

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

i am quite confused, not quite getting the idea of it

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |
"Put a blanket."

i am quite illiterate on producing technology

in a way what we are really interested in with pedagogy is the magnetisation

Thu, 06 Nov 2025 21:22:59

whats your name?

so an active mazelike process

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

Style