As we're stood there I notice a middle-aged woman staring at us across the room. I'm trying to catch her gaze, but its kind of vacant. I guess she sees me looking and considers it to be an invitation. She floats over to us in this strange dazed way, and on the approach I realise she's staring at (through?) my Korean colleague / fresh meat. She's saying wow, wow, wow. She seems genuinely so delighted, so shocked, so elated.
think this is much more rhizomatic or immanent or mazelike than mainstream education now
Lift Analysis
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
something religious, a kind of complex,
it will get lighter
, something washing, cleansing, revealing, etc.amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting
its performative
wow, you are the first stranger to write a textwall to me
The bird dives back into the tree. It shakes, some leaves fall.
you cannot feed someone truth
Sun, 02 Nov 2025 23:49:08
magnetisation/form
so at the end
I am below everything.
much more tactility
in a post. I want to be remembered
we want to live the knowledge too live the content
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
I wonder if the birds knew I was watching?
Thu, 04 Dec 2025 11:31:03
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful