i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
something religious, a kind of complex,
it will get lighter
, something washing, cleansing, revealing, etc.okay im going very rogue and very inarticulate
Above and behind a window opens and a cigarette hangs out.
abrar?
magnetisation/form
ahnaf abrar
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
what do you mean
i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
what do you think my name is
in a way what we are really interested in with pedagogy is the magnetisation
like magnets
its performative
no like which do people call me
i want to do that too
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
my watchlater reached its limit years ago and now i have to create a playlist for each new topic im interested in but it is incredibly hard to create the taxonomy of knowledge because everything seems to be everything else because at the end it is what you get from it that matters not what is given
which magnetises chains of pins