i want to do that too

god being the centre magnet

or never left

As we're stood there I notice a middle-aged woman staring at us across the room. I'm trying to catch her gaze, but its kind of vacant. I guess she sees me looking and considers it to be an invitation. She floats over to us in this strange dazed way, and on the approach I realise she's staring at (through?) my Korean colleague / fresh meat. She's saying wow, wow, wow. She seems genuinely so delighted, so shocked, so elated.

you know who you are. no more time, not like

1

. way too specific.

and so on. not wanting the rhyming / clanging

...


Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:

part of an old note. It will get lighter.

Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

I Write Goodbye Letter

Overall meaning: The dream seems to explore vulnerability, unspoken emotion, and the tension between connection and isolation. It suggests you may be processing intense feelings of longing or missed opportunities, and your subconscious is guiding you to acknowledge, release, or transform them.

Lift Analysis

not so on: yvf(wthw)

Actual born-Londoners aren't LARPing like this, they sold their shite family home for a million pounds and moved to Malaga years ago. They have their culture and they've taken it elsewhere.

send your tumblr

Slug

feel you

your feed looks like my tumblr

i know a little bit of lacan which probably influences me in a way i cant articulate

As I'm trying to tell my Korean colleague / fresh meat that this is abnormal, that most people in England aren't like this, the host of the party emerges from the bathroom to a roar of laughter and applause. He's a fat middle aged Frenchman and he's changed into traditional Indian dress and a turban. He looks fucking ridiculous. I try to back away, to avoid the inevitable photo of me in this moment that will one day appear to ruin my life, but everyone is crowding around, trapping me in the middle of it.

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

way too random but already engaging. i want to explore it

He was cast as the guy who gets picked up and thrown out of the poker game to set the scene before the main characters arrive. Out of Real London and into real London, a discarded prop, at this party, chatting to me.

i guess imagine a multimedia obsidian or notion that behaves according to some insane arcane rules that you can't ever really determine

After I get away from the old racist failed actor, I go to see my Korean colleague. He's just arrived in London and I want to see how he's handling the party. We'd been invited as fresh meat for some of the older, gayer attendees. We aren't aware of that.

fw

plato

2 (actually index). two is company

Thank you, Jack

so i or you can author smaller fragments that get arranged

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

i dont understand magnetisation

somewhere between instagram and chatgpt

what do you think my name is

Thank you, Jack, for telling me I'm just as bad as the characters (actually they're people, if that means anything to you) that I'm writing about.

13, H, grate

"No, it'll get cold!"
"Put a tut ahh put a-"