is this you as well

no longer writing in the third person

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

I am below everything.

"No, it'll get cold!"
"Put a tut ahh put a-"

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

Imprint, memory, impact, representation, impression

I know that if I try to make this entry any more than it is I will ruin it.

It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.

"Put a blanket."

but really the thing should be autonomous

"I'm only attracted to you", he replies. "Like, you only."

i see a website

Better Lift

Worse Lift

It Will Get Lighter

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

After thinking and forgetting and thinking and forgetting

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

there's probably something in that, but I don't feel like thinking about it too much yet.

so i or you can author smaller fragments that get arranged

was it worth it