"Put a blanket."

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.


or never left

we can only engage in such a way

you cannot feed someone language, they have to speak

so the method has to be autonomous

I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.

We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.

send your tumblr

the site i am dreaming

Thank you, Jack

okay this is interesting because pedagogies we have rn are not proper models

its good

lol

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

Garden Post-Dusk, Birds Above, In Another Life

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos


much more tactility

Maybe, Jack, I'm doing this because I'm English?