there's probably something in that, but I don't feel like thinking about it too much yet.

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

13, H, grate

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

        13       |
                |
                |
            H   |
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                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |

Above and behind a window opens and a cigarette hangs out.

yes

yeah people dont get it they assume its ahnaf

thank you

so an active mazelike process

so i or you can author smaller fragments that get arranged

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

its good short few pages

Garden Post-Dusk, Birds Above, In Another Life

we want to live the knowledge too live the content

no like which do people call me

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

i love it here