theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

yes

i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

Rain, starting

Worse Lift

a heavy, heavy rain. a clear day.

I created this site

Garden Post-Dusk, Birds Above, In Another Life

somewhere between instagram and chatgpt

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

think this is much more rhizomatic or immanent or mazelike than mainstream education now

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

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i have read not even 1 book

not their contents

was it worth it

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

Can I see

all that is to say

"Put a blanket."

so the method has to be autonomous

Better Lift

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

nope. i only remember the leaves bristling behind the window during chemistry class

and the fake qualifier