The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

division of reality is straying away from it

Rain, starting

Sun, 23 Nov 2025 10:37:17

Imprint, memory, impact, representation, impression

Thu, 06 Nov 2025 23:18:46

something for the future. something to look at when this is more. I've been thinking about... whatever

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

One of the birds shoots out of the tree.

The bird dives back into the tree. It shakes, some leaves fall.

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

"I'm only attracted to you", he replies. "Like, you only."

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

i see a website

yes

Thu, 04 Dec 2025 11:31:03

Can I see

magnetisation/form

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

really i want the internet