think this is much more rhizomatic or immanent or mazelike than mainstream education now

Garden Post-Dusk, Birds Above, In Another Life

it is hopeful

something religious, a kind of complex,

it will get lighter

, something washing, cleansing, revealing, etc.

Above and behind a window opens and a cigarette hangs out.

Thank you, Jack

Worse Lift

This is a website run by a narcissist who can't produce anything without the hope that it is seen and loved but can't act due to the fear of it being seen and hated. They immediately feel the need to ask Jack GPT to define whatever this feeling is in the hope that understanding it will mean control over it and control over it will mean that they can stop it.

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

hiding from the rain

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

"Put a blanket."

Wed, 11 Nov 2025 21:12:41

1

something for the future. something to look at when this is more. I've been thinking about... whatever

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

Thu, 06 Nov 2025 23:18:46

Better Lift

Lift Analysis

what do you mean

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |