fw

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

somewhere between instagram and chatgpt

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

Worse Lift

so i or you can author smaller fragments that get arranged

Rain, starting

with this post net clarity and the hours of nothing that followed I realise this is going to be awful.

It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.

Windrush Art Kid Oligarch

Imprint, memory, impact, representation, impression

IWGD

Better Lift

we can only engage in such a way

this is possible in mazelike research sprints on the internet

magnetisation/form

something religious, a kind of complex,

it will get lighter

, something washing, cleansing, revealing, etc.

Style

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

isaac

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.