She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

yeah

its good

i love it here

or never left

Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

think this is much more rhizomatic or immanent or mazelike than mainstream education now

was it worth it

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Today I felt like starting

isaac

much more tactility

so the method has to be autonomous

to work in time to get to the timeless, perfection thru chaos

like first name

like magnets