whats your name?

was it worth it

i did until you asked which kind of gave it away

barren land

I Write Goodbye Letter

Thank you, Jack

what do you mean

i dont understand magnetisation

kind of mythopoesis

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

Lift Analysis

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

okay this is interesting because pedagogies we have rn are not proper models

this is possible in mazelike research sprints on the internet

in a way what we are really interested in with pedagogy is the magnetisation

you know who you are. no more time, not like

1

. way too specific.

i have read not even 1 book

Lift Analysis

as in

lol

but really the thing should be autonomous

hello reader,

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

ahnaf abrar

not their contents

Can I see

Mon, 01 Dec 2025 23:38:15

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine