i love it here

Imprint, memory, impact, representation, impression

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

Above and behind a window opens and a cigarette hangs out.

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

Worse Lift

Rain, starting


i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything


theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

propensity within someone

as in

lol yea

send your tumblr

so i or you can author smaller fragments that get arranged


And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.

fw

currently

idk

this is possible in mazelike research sprints on the internet

you cannot feed someone language, they have to speak

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book