Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

IWGD

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

really i want the internet

something religious, a kind of complex,

it will get lighter

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |

Thu, 04 Dec 2025 11:31:03

Tue, 02 Dec 2025 11:29:50

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

i did until you asked which kind of gave it away

what do you mean

yeah

i don't really want to be associated with that one for some reason

i was tempted to lie about my name

division of reality is straying away from it

"Put a blanket."

you cannot feed someone language, they have to speak