Thu, 06 Nov 2025 21:22:59
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos
a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:
hiding from the rain
He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.
I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
Above and behind a window opens and a cigarette hangs out.
the textwall is as much for me as it is for you
so i or you can author smaller fragments that get arranged
somewhere between instagram and chatgpt
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
Thu, 06 Nov 2025 23:18:46